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[8] Four-beat, with four beats to a line, is the meter of nursery rhymes, children's jump-rope and counting-out rhymes, folk songs and ballads, marching cadence calls, and a good deal of art poetry. It has been described by Attridge as based on doubling: two beats to each half line, two half lines to a line, two pairs of lines to a stanza.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
The best known work in trochaic octameter is Edgar Allan Poe's "The Raven", which uses five lines of trochaic octameter followed by a "short" half line (in reality, 7 beats). By the end of the poem, the latter half line takes on the qualities of a refrain.
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length.
Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
In modern English poetry, it refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; iambic tetrameter is a line comprising four iambs, defined by accent. The scheme is thus: x / x / x / x / (In this case, "x" is an unstressed syllable while "/" is a stressed syllable.)
A continuous pulse cannot be perceived as a musical beat if it is faster than 8–10 per second (8–10 Hz, 480–600 bpm) or slower than 1 per 1.5–2 seconds (0.6–0.5 Hz, 40–30 bpm). Too fast a beat becomes a drone, too slow a succession of sounds seems unconnected. [36]
Anapestic tetrameter is a rhythm well suited for comic verse, and prominent examples include Clement Clarke Moore's "A Visit from St. Nicholas" and the majority of Dr. Seuss's poems. When used in comic form, anapestic tetrameter is often highly regular, as the regularity emphasizes the breezy, melodic feel of the meter, though the initial ...