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The countries participating in the Austerlitz format. (From North to South: Czech Republic, Slovakia, Austria.) The Austerlitz format, or Slavkov format, also "North-Trilateral" [1] or "Slavkov trilateral", [2] is a loose cooperation between Czech Republic, Slovakia and Austria. [3]
Painting by Joseph Nicolas Robert-Fleury. The Colloquy at Poissy was a religious conference which took place in Poissy, France, in 1561.Its object was to effect a reconciliation between the Roman Catholics and Protestants of France.
The Catechism is written in a question-and-answer format to help explain biblical teaching to children and those new to the faith. The Confession explains various biblical teachings. The Canons are a series of technical responses to specific theological controversies raised by the Dutch Remonstrants (see History of the Calvinist-Arminian debate).
Changes to the format in the last year of the original agreement — next season’s playoff — requires unanimity among the 11 members of the board. Changes to the format starting in 2026 ...
Anonymous woodcut, 1557. The Marburg Colloquy was a meeting at Marburg Castle, Marburg, Hesse, Germany, which attempted to solve a disputation between Martin Luther and Ulrich Zwingli over the Real Presence of Christ in the Eucharist.
The Duployan shorthand, or Duployan stenography (French: Sténographie Duployé), was created by Father Émile Duployé in 1860 for writing French.Since then, it has been expanded and adapted for writing English, German, Spanish, Romanian, Latin, Danish, and Chinook Jargon. [2]
division 17 - master format related specs, nonconforming to the above csi sections All spec divisions higher than 16 are placed in Division 17 - Others. Also use Division 17-Others for any spec-shaped material not easily classified (e.g., geotechnical, pre-bid notes, etc.)
The Univisium 3-perf film proposed format frame. Univisium (macaronic Latin for "unity of images") is a proposed universal film format created by cinematographer Vittorio Storaro, ASC, AIC and his son, Fabrizio, to unify all future theatrical and television films into one respective aspect ratio of 2:1.