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The crossword featured in "The Riddle of the Sphinx" was set by Pemberton, and was published in The Guardian on the day the episode aired, credited to "Sphinx". This crossword contains multiple ninas—hidden messages or words. Along with many of the crossword's answers, one nina is integral to the episode's plot.
Comments from Today’s Crossword Constructor. Jess: Themeless puzzles are my favorite to make, because you can fill them with fun words and interesting clues. I enjoy many of the longer answers ...
Here are the eclipse-themed clues from the April 8 NYT crossword that also might help create your playlist for today ... 24/7 Help. For premium support please call: 800-290-4726 more ways to reach ...
A crossword (or crossword puzzle) is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one letter, while the black squares are used to ...
The larger Sunday crossword, which appears in The New York Times Magazine, is an icon in American culture; it is typically intended to be a "Wednesday or Thursday" in difficulty. [7] The standard daily crossword is 15 by 15 squares, while the Sunday crossword measures 21 by 21 squares.
A 15x15 lattice-style grid is common for cryptic crosswords. A cryptic crossword is a crossword puzzle in which each clue is a word puzzle. Cryptic crosswords are particularly popular in the United Kingdom, where they originated, [1] as well as Ireland, the Netherlands, and in several Commonwealth nations, including Australia, Canada, India, Kenya, Malta, New Zealand, and South Africa.
It's not hard to recognize Laufey's talent.. In a new interview with The Independent, the Grammy-winning jazz-pop singer, 25, recalled none other than Bill Murray giving her a compliment as a ...
In the same dissertation, an example of subreption for Kant is the axiom "every actual multiplicity can be given numerically, and thus every magnitude is finite"; Kant considers this axiom to be subreptive because the concept of time is introduced surreptitiously as the "means for giving form to the concept of the predicate".