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Line outputs usually present a source impedance of from 100 to 600 ohms. The voltage can reach 2 volts peak-to-peak with levels referenced to −10 dBV (300 mV) at 10 kΩ . The frequency response of most modern equipment is advertised as at least 20 Hz to 20 kHz, which corresponds to the range of human hearing .
Its impedance at audio frequencies, and especially at the more restricted telephone band frequencies, is far from constant. It is possible to manufacture this kind of cable to have a 600 Ω characteristic impedance but it will only be this value at one specific frequency. This might be quoted as a nominal 600 Ω impedance at 800 Hz or 1 kHz.
A line-level attenuator has lower power handling, such as a 1/2-watt potentiometer or voltage divider and controls preamp level signals, whereas a power attenuator has higher power handling capability, such as 10 watts or more, and is used between the power amplifier and the speaker. Power attenuator (guitar) Guitar amplifier
To match the impedances, both cables must be connected to a matching transformer with a turns ratio of 2:1. In this example, the 300-ohm line is connected to the transformer side with more turns; the 75-ohm cable is connected to the transformer side with fewer turns. The formula for calculating the transformer turns ratio for this example is:
Less expensive: Since the voltage of the signal has been stepped up and the current is relatively low, lighter, less expensive cable can be used without incurring additional power loss. Where a typical 8-ohm speaker system might require 12 gauge cable, a 70-volt system could use 18 gauge or smaller cable. [13]
A bridge-parallel amplifier topology is a hierarchical combination of the bridged and paralleled amplifier topologies, with at least four single-ended channels needed to produce one bridge-parallel channel. The two topologies complement each other in that the bridging allows for higher voltage output and the paralleling provides the current ...
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