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Refugee is a young adult literature novel by Alan Gratz published by Scholastic Corporation in 2019. The book revolves around three main characters from three different eras: early Nazi Germany , 1980s Cuba , and modern-day Syria .
The Refugees is a 2017 short story collection by Viet Thanh Nguyen. [4] It is Nguyen's first published short story collection and his first book after winning the Pulitzer Prize for The Sympathizer. The eight-story collection, set in different locations in California and Vietnam, earned favorable reviews from critics, particularly for offering ...
Alan Michael Gratz (born January 27, 1972) is the author of 19 novels for young adults including Prisoner B-3087, Code of Honor, Grenade, Something Rotten, Ground Zero and Refugee. Life [ edit ]
Refugee Boy is a teen novel written by Benjamin Zephaniah. It is a book about Alem Kelo, a 14-year-old refugee from Ethiopia and Eritrea. It was first published by Bloomsbury on 28 August 2001. The novel was the recipient of the 2002 Portsmouth Book Award in the Longer Novel category. [1] [2]
Boy 87 (Refugee 87) is a contemporary novel by Ele Fountain. The refugee crisis is one of the themes in this novel. It is published by Pushkin Children's Books in the UK and by Little Brown in the US (as Refugee 87). The book was written while the author was living in Ethiopia.
Pages in category "Books about refugees" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. B. The Book of My Lives;
The Refugee, alternative pirated 1865 publication title of the novel Israel Potter by Herman Melville; The Refugee Der Flüchtling, by Fritz Hochwälder 1945; Refugee (Gratz novel), a 2017 young adult novel by Alan Gratz; Refugee (Anthony novel), a 1983 novel by Piers Anthony; Refugees, a 1999 play by Zlatko Topčić
Jenny Sawyer writing in The Christian Science Monitor credit's Fleming's ability to tell the personal story and frame it in the wider refugee crisis, but also notes the lack of Al Zamel's own voice, the story only ever being told by the third party narrator. [4] Hannah Solel writing in the Financial Times called the book gripping and moving. [1]