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Lucca Cathedral (Italian: Duomo di Lucca, Cattedrale di San Martino) is a Roman Catholic cathedral dedicated to Saint Martin of Tours in Lucca, Italy. It is the seat of the Archbishop of Lucca . Construction was begun in 1063 by Bishop Anselm (later Pope Alexander II ).
Lucca is known as an Italian "Città d'arte" (City of Art) from its intact Renaissance-era city walls [5] [6] and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D., the Guinigi Tower, a 45-metre-tall (150 ...
The Legend of the Holy Face, Die Bildnus zu Luca, and the fiddler.Sixteenth-century woodcut by Hans Burgkmair. In the traditional account, the year 782 marks the arrival of the Holy Face in the Basilica di San Frediano; its transferral to the cathedral, justified by a miraculous translation in the Latin legend, De inventione, revelatione ac translatione Sanctissimi Vultus (or Leggenda di ...
The Archdiocese of Lucca (Latin: Archidioecesis Lucensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Italy. The diocese dates back as a diocese to at least the 4th century; it became an archdiocese in 1726. The seat of the archbishop is in Lucca, in the cathedral of S. Martino.
Antica Porta San Donato (1590), inside Piazza San Donato is the seat of the tourist information office of Lucca; Porta San Gervasio (1198), along via del Fosso at the intersection with via Elisa, dates back to the Middle Ages; Porta dei Borghi (1198) at one end of via Fillungo in the direction of Piazza Santa Maria
The Triumph of Judith or The Triumph of Judith with Stories from the Old Testament is a 1703-1704 cycle of fresco paintings on the ceiling of the Tesoro Nuovo chapel in certosa di San Martino in Naples. It is considered one of his masterworks and one of the greatest painted expressions of Italian Baroque art.
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The church was reconstructed in 1474, when the relics of San Ponziano were transferred there. The facade was refurbished over the next two centuries. The first chapel on the right in the apse has a 12th-century fresco of San Martino. The sober and white facade dates to before the 17th century. The interior, however, was refurbished in 1720.