Search results
Results from the WOW.Com Content Network
El Güegüense (Spanish pronunciation: [el ɣweˈɣwen.se]; also known as Macho Ratón, pronounced [ˈma.tʃo raˈton]) is a satirical drama and was the first literary work of post-Colonial Nicaragua.
View history; Tools. Tools. move to sidebar hide. Actions Read; Edit; View history; General ... As a nickname, Macho or El Macho may refer to: People nicknamed Macho
El Güegüense with its traditional masks.. El Güegüense (also known as Macho Ratón) is a satirical drama and was the first literary work of post-Colombian Nicaragua. It is regarded as one of Latin America's most distinctive colonial-era expressions and as Nicaragua's signature folkloric masterpiece combining music, dance and theater.
The history of the Philippines from 1565 to 1898 is known as the Spanish colonial period, during which the Philippine Islands were ruled as the Captaincy General of the Philippines within the Spanish East Indies, initially under the Viceroyalty of New Spain, based in Mexico City, until the independence of the Mexican Empire from Spain in 1821.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Anito, whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
These masks are primarily worn during the Moriones and MassKara Festivals. [155] [156] [157] Puppet-making is a related art whose products are used in plays and festivals such as the Higantes Festival. [158] Most indigenous masks are made of wood, and gold masks (made for the dead) were common in the Visayas region before
Macho, a short-lived Italian-American disco/R&B group in the late 1970s; Macho, a 1975 album by Hungarian guitarist Gábor Szabó "El Macho", a song on the Sailing to Philadelphia album by Mark Knopfler; Macho, original title of the 1975 novel Cry Macho; El Macho, a 1977 Italian-Argentine Spaghetti Western film; Macho, a 2016 Mexican film
In Progreso, Sancianco attributes Philippine backwardness to the failure of the Spanish colonial regime to provide even the requirements of the Smithian minimal state, namely: defence and security, the administration of justice, public works, and education. He refutes the racist charge that the “indolence” of the natives is the cause of ...