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Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds.
Traditionally speaking in the Islamic empire, Arabic calligraphy was the common form of recording texts. Calligraphy is the practice or art of decorative handwriting. [3] The demand for calligraphy in the early stages of the Islamic empire (circa 7–8th century CE) can be attributed to a need to produce Qur'an manuscripts.
Islam appeared in western Arabia in the 7th century AD through revelations delivered to the prophet Muhammad in Mecca. Within a century of Muhammad's death the Islamic empires controlled the Middle East, Spain and parts of Asia and Africa. Because of this, similarly with Roman art, Islamic art and architecture had regional versions. As the ...
The history of Islam is believed by most historians [1] to have originated with Muhammad's mission in Mecca and Medina at the start of the 7th century CE, [2] [3] although Muslims regard this time as a return to the original faith passed down by the Abrahamic prophets, such as Adam, Noah, Abraham, Moses, David, Solomon, and Jesus, with the submission (Islām) to the will of God.
The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [25] Muhammad is said to have said: "The first thing God created was the pen." [26] Islamic calligraphy developed from two major styles: Kufic and Naskh. There ...
For a long time, Islamic art from outside the Persianate world was considered aniconic in academic research. Known pictures including human figures from the mileu of Muslim courts have been described as an "aberration" by the early 20th-century writer Sir Thomas Arnold (d. 1930).
Like all Islamic art, it encompasses a diverse array of works created in a wide variety of contexts. [6] The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [7]