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  2. Sargam notes - Wikipedia

    en.wikipedia.org/wiki/Sargam_notes

    Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.

  3. Sargam (music) - Wikipedia

    en.wikipedia.org/wiki/Sargam_(music)

    Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.

  4. List of songs recorded by Sadhana Sargam - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_recorded_by...

    Multilingual playback singer Sadhana Sargam has recorded numerous private albums and songs. Below are her mainstream Hindi, Marathi, Tamil, Telugu, Kannada and Malayalam record lists. She has also released thousands of devotional Hindu albums including Gajanana, Aartiyan, Shri Sai Mantra, Shri Ram Mantra and Jai Ambe Maa to name a few. [1]

  5. Sinhala script - Wikipedia

    en.wikipedia.org/wiki/Sinhala_script

    The Sinhala script (Sinhala: සිංහල අක්ෂර මාලාව, romanized: Siṁhala Akṣara Mālāva), also known as Sinhalese script, is a writing system used by the Sinhalese people and most Sri Lankans in Sri Lanka and elsewhere to write the Sinhala language as well as the liturgical languages Pali and Sanskrit. [3]

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  7. Sankarabharanam (raga) - Wikipedia

    en.wikipedia.org/wiki/Sankarabharanam_(raga)

    Śaṃkarābharaṇaṃ's notes when shifted using Graha bhedam, yields 5 other major Melakarta rāgas, namely, Kalyāṇi, Hanumatodi, Natabhairavi, Kharaharapriya and Harikambhoji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāga.

  8. Bajirao Mastani (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Bajirao_Mastani_(soundtrack)

    While the powerful 'Gajanana' amplified a crucial sequence to a great extent, it was the left-out-from-album Bajirao theme, the war cry-like chant 'Ji Ji Re Baji Ji Ji', that gives the film an electrifying energy. The album favourites included ‘Deewani Mastani’, 'Ab Toh Jaane Na Doongi', ‘Mohe Rang Do Laal’ and 'Aaj Ibadat'. [35]

  9. List of songs recorded by Anuradha Paudwal - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_recorded_by...

    "Hum Aapke Dil Mein Rehte Hain Anu Malik Sameer Kumar Sanu "Zara Aankhon Mein Kaajal" "Kasam Se Kasam Se" "Hum Aapke Dil Mein Rehte Hain" (female) solo Hum Saath Saath Hain "Hum Saath Saath Hain" Raam Laxman Dev Kohli Kumar Sanu, Udit Narayan, Hariharan, Alka Yagnik, Kavita Krishnamurthy "Mhare Hiwda Mein Naache Mor, Ta Ta Thaiya" R. Kiran