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Medea (Ancient Greek: Μήδεια, MÄ“deia) is a tragedy by the ancient Greek playwright Euripides based on a myth. It was first performed in 431 BC as part of a trilogy, the other plays of which have not survived.
Medea in a fresco from Herculaneum. Medea is a direct descendant of the sun god Helios (son of the Titan Hyperion) through her father King Aeëtes of Colchis.According to Hesiod (Theogony 956–962), Helios and the Oceanid Perseis produced two children, Circe and Aeëtes. [5]
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
Some of those answers are dark; as the creator of the hip-hop Medea put it, “Medea was written by Euripides to remind us that chaos lurks in our world and there is no answer.” But some are ...
While Euripides' Medea shares similarities with Seneca’s version, they are also different in significant ways. Seneca's Medea was written after Euripides', and arguably his heroine shows a dramatic awareness of having to grow into her (traditional) role. [7] Seneca opens his play with Medea herself expressing her hatred of Jason and Creon.
In his review of Morwood's translation of Medea, Adrial Poole comments on the lines the chorus sing just before Jason's final entrance: “with a little room to breathe, Morwood's lyrics find a quietly effective rhythm of their own:” [22] Medea, play by Euripides. translated by James Morwood, with an Introduction by Edith Hall.
H. M. Hoover, The Dawn Palace: The Story of Medea (1988) Percival Everett, For Her Dark Skin (1990) Kerry Greenwood, Medea: Book I in the Delphic Women Series (1997). Christa Wolf, Medea (published in German 1996, translated to English 1998) [6] Medea plays a major role as an antagonist in Stuart Hill's The Icemark Chronicles trilogy.
From Euripides, the Hippolytus and The Bacchae (together with The Frogs of Aristophanes; first edition, 1902); [11] the Medea, Trojan Women, and Electra (1905–1907); Iphigenia in Tauris (1910); The Rhesus (1913) were presented at the Court Theatre, in London. [12]
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