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Hacen mas fresco el dulce tepache Junto a la birria con el mariachi Que en los parianes y alfarerias Suena con triste melancolia. Ay ay ay ay! Laguna de Chapala. Tienes de un cuento la magia, Cuento de ocasos y de alboradas, De enamoradas noches lunadas, Quieta, Chapala, es tu laguna, Novia romántica como ninguna. Ay ay ay ay! Zapopitan del alma,
"Las Mañanitas" Spanish pronunciation: [las maɲaˈnitas] is a traditional Mexican [1] birthday song written by Mexican composer Alfonso Esparza Oteo.It is popular in Mexico, usually sung early in the morning to awaken the birthday person, and especially as part of the custom of serenading women.
Commonly played by mariachi bands, it has been recorded by many artists in the original Spanish as well as in English and other languages, including by Tito Guizar, Pedro Infante, Vicente Fernandez, Placido Domingo, Luciano Pavarotti, Eartha Kitt, The Wiggles, Menudo and Ana Gabriel.
"Allá en el Rancho Grande" is a Mexican song. It was written in the 1920s for a musical theatrical work, but now is most commonly associated with the eponymous 1936 Mexican motion picture Allá en el Rancho Grande , [ 1 ] in which it was sung by renowned actor and singer Tito Guízar [ 2 ] and with mariachis .
El Mariachi (transl. The Musician) is a 1992 Spanish language American independent neo-Western action film and the first part of the saga that came to be known as Robert Rodriguez's Mexico Trilogy. It marked the feature-length debut of Rodriguez as writer and director.
"El Son de la Negra" (lit. The Song of the Black Woman) is a Mexican folk song , originally from Tepic, Nayarit , [ 1 ] before its separation from the state of Jalisco , and best known from an adaptation by Jalisciense musical composer Blas Galindo in 1940 for his suite Sones de mariachi .
Son mexicano (Spanish: [ˈsom mexiˈkano]) is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son. The term son mexicano literally translates to “the Mexican sound” in English. Mexican sones are often rooted in a mix of Spanish, African, and Indigenous musical elements.
A chart published by Record World credited "El Rey" as reaching number one in Mexico in 1974, [5] a year after Jiménez' death. "El Rey" remains a staple of Ranchera and traditional Mexican music. The song has been covered by various artists, including Vicente Fernández - often considered the most well-known version of "El Rey" - his son ...