Search results
Results from the WOW.Com Content Network
The political (rather than analytic or conceptual) critique of binary oppositions is an important part of third wave feminism, post-colonialism, post-anarchism, and critical race theory, which argue that the perceived binary dichotomy between man/woman, civilized/uncivilised, and white/black have perpetuated and legitimized societal power structures favoring a specific majority.
What Lévi-Strauss believed he had discovered when he examined the relations between mythemes was that a myth consists of juxtaposed binary oppositions. Oedipus , for example, consists of the overrating of blood relations and the underrating of blood relations, the autochthonous origin of humans, and the denial of their autochthonous origin.
Another concept was borrowed from the Prague school of linguistics, which employed so-called binary oppositions in their research. Roman Jakobson and others analysed sounds based on the presence or absence of certain features, such as "voiceless" vs. "voiced." Lévi-Strauss included this in his conceptualization of the mind's universal structures.
In the introduction, Lévi-Strauss writes of his confidence that "certain categorical opposites drawn from everyday experience with the most basic sorts of things—e.g. 'raw' and 'cooked,' 'fresh' and 'rotten,' 'moist' and 'parched,' and others—can serve a people as conceptual tools for the formation of abstract notions and for combining ...
Lévi-Strauss included this in his conceptualization of the universal structures of the mind, which he held to operate based on pairs of binary oppositions such as hot-cold, male-female, culture-nature, cooked-raw, or marriageable vs. tabooed women. A third influence came from Marcel Mauss (1872–1950), who had written on gift-exchange systems.
The exchange of women is an element of alliance theory — the structuralist theory of Claude Lévi-Strauss and other anthropologists who see society as based upon the patriarchal treatment of women as property, being given to other men to cement alliances. [1]
Daniel Chandler defines the term as "a signifier with a vague, highly variable, unspecifiable or non-existent signified". [4] The concept of floating signifiers originates with Claude Lévi-Strauss, who identified cultural ideas like mana as "represent[ing] an undetermined quantity of signification, in itself void of meaning and thus apt to receive any meaning".
In contrast, the anthropologist Claude Lévi-Strauss examined the structure of a myth in terms of the abstract relationships between its elements, rather than their order in the plot. In particular, Lévi-Strauss believed that the elements of a myth could be organized into binary oppositions (raw vs. cooked, nature vs. culture, etc.).