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The albums discography of American country artist, George Jones contains 80 studio albums, 132 compilation albums, three live albums, ten video albums and seven box sets.Of his studio albums, 69 are solo releases while 11 are collaborative releases (not counting his music with Tammy Wynette).
That group released an album, The Reynolds Brothers, featuring songs written by James and fellow Edsels member George Jones. Songwriter George Jones died of cancer on September 5, 2008, at age 71. [3] [4] Marshall Sewell died of esophageal cancer on June 5, 2013, at the age of 75. [3] [5] Emmett T. Perkins II died on February 11, 2014, at the ...
George Jones with Love "Tell Me My Lying Eyes Are Wrong" — 13: 31 The Best of George Jones "A Good Year for the Roses" 12: 2: 4 George Jones with Love "Sometimes You Just Can't Win" 1971 — 10: 7 First in the Hearts of Country Music Lovers "Right Won't Touch a Hand" — 7: 10 "I'll Follow You (Up to Our Cloud)" — 13 — George Jones with ...
AllMusic: "The uptempo stuff doesn't fare particularly well - young Jones was wild-eyed and crazy, giving 'The Race Is On', 'White Lightning'', and 'Why Baby Why' real kick; here they sound harnessed - but the ballads (which account for most of the record) are satisfying...On occasion, the songs gain resonance by being delivered by an older, nuanced singer (this is especially true of 'The ...
George Glenn Jones (September 12, 1931 – April 26, 2013) was an American country musician, singer, and songwriter. He achieved international fame for a long list of hit records, and is well known for his distinctive voice and phrasing.
The Jones-penned "Don't Stop The Music" had been a minor hit for the singer in early 1957 while "Life To Go", also written by Jones, was a top five smash for Stonewall Jackson in 1959. Blue & Lonesome also includes the original recording of "Color of the Blues", a song Jones wrote with Lawton Williams that would go on to be recorded by Red ...
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Jones co-wrote two songs on the album, the tongue-in-cheek "If You Loved A Liar (You'd Hug My Neck)" and "I Don't Want No Stranger Sleeping in My Bed". Sherrill employed his most contemporary production yet on Bartender's Blues , actually verging on soft rock in some places.