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The song includes a "floating R&B instrumental and tender introspection". [2] Lamar lightly raps: "I got some regrets". [ 3 ] It has a "gentle flute line and a blissful melody", which sees Blxst gently sing on the chorus: "I hope I'm not too late to set my demons straight". [ 4 ]
The song features an acoustic and orchestral instrumental, while X sings about his hope for repentance, and that he hopes it is not too late for his redemption. [ 1 ] [ 4 ] The chorus repeats, "Before I lay me down to sleep, I pray the Lord my soul to keep, I hope it's not too late for me".
"Not Too Late" is a song recorded by Australian singer and songwriter Ricki-Lee Coulter. It was written by Coulter, Neil Ormandy and Steve Soloma, and released on 1 September 2017. The "lulling, soft ballad " marks a departure from Coulter's previous dance releases, and she said the song is about "redemption and it never being too late to right ...
The song became Huey’s first No. 1 hit on the U.S. Billboard Hot 100, won “Favorite Single” and “Favorite Video Single” at the 13th Annual American Music Awards, and was nominated for an ...
A piano-driven pop track, "Not Too Late" lyrically displays an optimistic and hopeful view on love. Critically acclaimed, the song was released as the fourth single from Not Too Late on July 17, 2007, by Blue Note Records, peaking at number 26 on the US Smooth Jazz Songs.
The lyrical content of "Never Too Late" is inspired by feelings of depression, isolation and suicidal ideation. Adam Gontier, the songwriter and band's lead singer, stated, "I guess it's like feeling like you're at the end of your rope and deciding whether or not to completely give up or whether or not to try and sort of keep making it through another day."
Moore has also clarified their pronoun preferences on X: "I'm non binary, femme, Agender feels fitting too. My pronouns: they/them/theirs. My pronouns: they/them/theirs. I correct people often.
Not Too Late is the third studio album by American singer-songwriter Norah Jones, released on January 30, 2007, through Blue Note Records. It was produced by Lee Alexander , the songwriter and bassist featured on Jones's previous albums, Come Away with Me (2002) and Feels Like Home (2004).