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The niho taniwha (taniwha tooth) pattern is a notched-tooth design found on all types of objects, mats, woven panels, belts, and clothing. The poutama is a stepped design signifying the growth of man, striving ever upwards. Tahekeheke (striped) designs refer to any distinct vertical patterning.
An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
Some of the names of tukutuku patterns are: [3] poutama – a stepped pattern, said to represent whakapapa, learning and the ascent of the god Tāne-o-te-wānanga into the heavens to attain superior knowledge and religion. [8] [9] roimata toroa – meaning "albatross tears", formed with vertical stitches and said to represent misfortune and ...
New Zealand art consists of the visual and plastic arts (including woodwork, textiles, and ceramics) originating from New Zealand and comes from different traditions: indigenous Māori art and that brought here including from early European mostly British settlers.
Kete may be of many sizes but are most often found in sizes similar to large handbags. They can be used to carry a variety of things, including food. [2] Specialized kete were woven for each item that needed storage, resulting in dozens of specialized styles. [5]
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Woman sewing a tivaevae, Rarotonga Tivaevae or tivaivai (Cook Islands Māori: tīvaevae) in the Cook Islands, tifaifai in French Polynesia, is a form of artistic quilting traditionally done by Polynesian women.
As a result, today, many Māori have made an attempt to resurge traditional patterns and carvings within mainstream art through programs like the Māori Arts and Crafts Institute. [5] They have made it their mission to preserve traditional toi whakairo, and have opened various programs and classes to pass their traditions to younger generations.
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