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The siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the kacapi used in Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog and the other to slendro. The siter is ...
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music.
Gamelan siteran is a casual style of gamelan in Java, Indonesia, featuring portable, inexpensive instruments instead of the heavy bronze metallophones of a typical gamelan. A typical group consists of varieties of siter (small zither, which leads to the name), kendang (drum), and a large end-blown bamboo tube or a gong kemodhong, functioning as a gong ageng.
In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang. [1] Troupes' musical repertoires include gamelan salendro kliningan. [3] Dutch ethnomusicologist Jaap Kunst described celempungan in his 1973 book Music in Java: "The chelempung-orchestra (ill. 131) is fortunate in being widely-spread.
Depictions of sapeh exist in carvings and bas-relief panels found in ancient temples of Java dating back to the early 8th century. According to native Kalimantan manuscripts and inscriptions (mainly found in Banjar and Kutai Kertanegara), these string-based musical instrument originated in the eastern region of the island of Java and were introduced to the southern and eastern coastal regions ...
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The delegation from the Tegalsari Islamic boarding school presented Kompang's offerings during the wedding, to Kompang Ponorogo, which is also loved by the Malay community in Selaongor. From Selangor, Kompang spread to neighboring sultanates such as Johor, Riau, Pattani to Brunei and Sabah, in the Malay area Kompang Ponorogo is called Kompang Jawa.
Dangdut (/ d ɑː ŋ ˈ d uː t /) is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Malay, Minangkabau, Javanese, Sundanese and local folk music.