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Like a CD-R, a CD-RW has hardcoded speed specifications which limit recording speeds to fairly restrictive ranges. Unlike a CD-R, a CD-RW has a minimum writing speed under which the discs cannot be recorded, based on the phase change material's heating and cooling time constants and the required laser energy levels. Despite this, some ...
Photo CD is a system designed by Kodak for digitizing and saving photos onto a CD. Launched in 1991, [1] the discs were designed to hold nearly 100 high quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as
The term "moving images" includes analog film and video and their born-digital forms: digital video, digital motion picture materials, and digital cinema. As analog videotape and film become obsolete, digitization has become a key preservation strategy, although many archives do continue to perform photochemical preservation of film stock.
The CD-R, another recordable format, as well as later competition from the Hi-MD made the MiniDisc a mini-don't. The last MiniDisc players were sold in 2013. caviarliu/istockphoto
It's the Mr. Hell Show, Jake and the Never Land Pirates, The Mr. Men Show,The Lion Guard, My Little Pony: Friendship Is Magic on The Hub [a] (however, this show uses a heavily modified version of Flash 8), Cinemax's Eli's Dirty Jokes, Queer Duck from Showtime, The Mr. Peabody and Sherman Show on Netflix, ToddWorld on Discovery Kids, Smiling ...
This is a list of obsolete technology, superseded by newer technologies. Obsolescence is defined as the "transition from available to unavailable from the manufacturer in accordance with the original specification." [1] Newer technologies can mostly be considered as disruptive innovation. Many older technologies co-exist with newer alternatives ...
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His art is influenced by the development of consumerism, technology, identity and cyberculture in society, with a distinctive focus on obsolete media. Drawing on recycled and obsolete technological materials as the grounds for his paintings, London-based artist Nick Gentry creates a conversation between digital and analog processes.