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The chandelier was built in San Francisco by Phoenix Day. A plaque honoring Arthur Mayer is mounted at the entrance to boxes L-M-N. Mayer watched the theater being built, was hired by Curran as part of the theater's opening-night staff, and continued working at the theater until he was nearly 100 years old.
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
Mark Hellinger Theatre: April 29, 1984: May 13, 1984 Fences: 46th Street Theatre: March 26, 1987: June 26, 1988 A Midsummer Night's Dream: Lunt-Fontanne Theatre: March 31, 1996: May 26, 1996 The Old Neighborhood: Booth Theatre: November 19, 1997: May 10, 1998 The Chairs: John Golden Theatre: April 1, 1998: June 13, 1998 Not About Nightingales ...
The production opened in the Teatro de los Insurgentes on February 11, 1960. [8] The Costa Mesa Playhouse in Costa Mesa, California known for mounting lesser-known, unique, and obscure musicals, presented Redhead in June 1981. The musical revival group 42nd Street Moon in San Francisco, presented a staged concert of Redhead from September 2 to ...
David S. Johnson (August 3, 1926 – March 1, 2024) was an American photographer. He was known for his portrayal of society, urban life, and the jazz culture of San Francisco's Fillmore District in the 1940s and 1950s, as well as figures of the civil rights movement of the 1960s.
Two San Francisco police officers were investigating reports of a woman screaming. Bassist Peter Albin recalls the band raising the roof off one day in the 1960s when their playing was interrupted ...
Benjamen Chinn (April 30, 1921 – April 25, 2009) was an American photographer known especially for his black and white images of Chinatown, San Francisco and of Paris, France in the late 1940s and early 1950s.
In 1967, Friml performed in a special concert at the Curran Theatre in San Francisco. As he often did in his concerts, he began the concert with a piano improvisation, then played special arrangements of his own compositions as well as composers who had influenced him. He even played Dvořák's Humoresque as a special tribute to his teacher.