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"Hard Knock Life (Ghetto Anthem)" is a single from American rapper Jay-Z's third album Vol. 2... Hard Knock Life, released on October 27, 1998.It features a vocal and pitch-modified instrumental sample [1] of the song "It's the Hard Knock Life" from the 1977 musical Annie.
The following is a list of songs by Jay-Z ... Remixes and live versions of songs are listed as bullet points below the original song, ... Hard Knock Life, 1998 ...
Hard Knock Life is the third studio album by American rapper Jay-Z. It was released on September 29, 1998, by Roc-A-Fella Records and Def Jam Recordings . It went on to become his most commercially successful album, selling over 6 million copies in the United States.
Hard Knock Life (1998), and led it to debut atop the Billboard 200. His fourth album, Vol. 3... Life and Times of S. Carter (1999), became his second album to do so, and spawned the Billboard Hot 100-top 40 singles "Jigga My Nigga" and "Big Pimpin'" (featuring UGK); the latter received platinum certification by the RIAA.
Hard Knock Life was released in September 1998 and became his first number-one album in the United States. [8] The album featured the international hits "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)", which both reached top twenty of the Billboard Hot 100. [8]
"It's the Hard Knock Life" is a song from the musical Annie [1] with music by Charles Strouse and lyrics by Martin Charnin. [ 2 ] [ 3 ] [ 4 ] The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.
"Can I Get A..." is a song recorded by American rapper Jay-Z, featuring Ja Rule and Amil. It was released on Def Jam's Rush Hour Soundtrack in promotion of the film Rush Hour, but also appears on Jay-Z's third album Vol. 2... Hard Knock Life as its first single. The song is produced by Irv Gotti and Lil' Rob.
Life and Times of S. Carter is the fourth studio album by American rapper Jay-Z. It was released on December 28, 1999, by Roc-A-Fella Records and Def Jam Recordings . According to USA Today critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album, Reasonable Doubt . [ 1 ]