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Rome: the ethernal city Florence: cradle of Renaissance Venice: the Most Serene Milan: the Fashion capital Naples: city of Parthenope Bologna: the learned. the fat, and the red Pisa: the glorious. Agrigento: la città dei templi (The city of temples) [2] Alatri: la Città dei Ciclopi (the City of Cyclopes) [3] Anagni: la città dei papi (The ...
At the foot of the monument, in a frontal position, lie two allegories of the city. [3] On the back there is the seated female figure of " Subjugated Venice ", battered and prisoner following the defeat suffered by the young Republic of San Marco (1848–1849), holding a broken sword and at the feet a Marcian lion biting the chains imposed by ...
Venice of Cieszyn, part of the Old Town of Cieszyn, Poland; Venice of Portugal, nickname for Aveiro, Portugal; Venice of the East, a list of places with this nickname; Venice of the North, a list of places with this nickname; Venice of the Orient, nickname for Shanghai, China "Venice of the Pacific", nickname for the ruins of Nan Madol at Pohnpei
The statue is bronze, 12 m (39 ft) high, 10 m (33 ft) long, and weighs 50 tons. [8] Including the marble base, the entire sculptural group is 24.80 m (81 ft) high. [8] The equestrian statue of Victor Emmanuel II is the only non-symbolic representation of the Vittoriano, given that it is the representation of the homonymous monarch. [10]
Statue of Bartolomeo Colleoni Wikimedia Commons has media related to Campo Santi Giovanni e Paolo (Venice) . 45°26′21″N 12°20′29″E / 45.439109°N 12.341477°E / 45.439109; 12.
The warlike tradition of the city is symbolized by the armor; the statue is located in front, in the center of the plinth, as the first capital of united Italy and the birthplace of Victor Emmanuel II; on the coat of arms is the heraldic bull: Eugenio Maccagnani: Venice senza_cornice (Coat of arms of Venice) 697-1797: capital of the Duchy of ...
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It was "almost certainly" [1] brought to Venice as part of the loot from the Sack of Constantinople during the Fourth Crusade in 1204 CE. The condottiere Francesco Bussone da Carmagnola was beheaded on 5 May 1432 on the Piazzetta, where his head was presumably left exposed for some time, leading to the sculpture's traditional nickname. [1]