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"Convoy" is a 1975 novelty song performed by C. W. McCall (a character co-created and voiced by Bill Fries, along with Chip Davis) that became a number-one song on both the ...
A B-24 airman writing in 1998 also noted the distinction between the character of Smoe and Kilroy (who he says was never pictured), and suggested that Smoe stood for "Sad men of Europe". [31] Correspondents to Life magazine in 1962 also insisted that Clem, Mr. Chad or Luke the Spook was the name of the figure, and that Kilroy was unpictured.
From 1970 to 1982, Shalit broadcast a daily essay, Man About Anything, for the NBC Radio Network, which was NBC's most widely carried radio feature. [1] In 1986, Shalit hosted a videocassette and laserdisc collection from MCA Home Video, Gene Shalit's Critic's Choice Video. Four images (five on the laserdisc covers) of Shalit appeared in a ...
Like other rock stars of the '60s and '70s, Grace Slick pumped up the volume in the go-go '80s — both in terms of Jefferson Starship's music and her hair. Flash forward to today, and the 84-year ...
Bertrand Rindoff Petroff/Contributor/Getty Images. If you want to go big with your hair, consider disco curls. This popular '70s hairstyle for curly hair was seen on the likes of Donna Summer and ...
A medium length hi-top fade. Hi-top fade is a haircut where hair on the sides is cut off or kept very short while hair on the top of the head is grown long. [1]The hi-top was a trend during the golden age of hip hop and urban contemporary music of the 1980s and the early 1990s. [2]
Depending on the specific style, hairstyles in the big hair categories may require a number of styling, cutting, or treatment techniques. Styling of punk and alternative big hair styles often requires backcombing (teasing) and the liberal application of styling aids such as hair spray, hair mousse, or hair gel, often in combination with the use of hair dryers.
This is a list of notable deadpan comedians and actors who have used deadpan as a part of their repertoire.Deadpan describes the act of deliberately displaying a lack of or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness of the subject matter.