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The Coronation of the Blessed Virgin is also a subject of devotion throughout Christianity. Beyond art, the Coronation is a central motif in Marian processions around the world, such as the Grand Marian Procession in Los Angeles, revived by the Queen of Angels Foundation .
The Coronation of the Virgin is a 1635–1636 painting on oil on canvas by Diego Velázquez of the Holy Trinity crowning the Blessed Virgin Mary, a theme in Marian art. It is now at the Museo del Prado .
Coronation of the Virgin is a tempera painting by the Italian late Gothic artist Gentile da Fabriano, executed c. 1420, now in the Getty Museum. It originated as the front of the a processional banner – the reverse showed Saint Francis Receiving the Stigmata and is now in Parma .
The painting is on a gold ground (gilded background), a feature of medieval painting, over which is a small paradise where the Coronation is being held.. It portrays Christ crowning the Virgin; both are surrounded by rays (executed through an engraving technique above the gilded background) which symbolize the divine light.
The Coronation of the Virgin, 1452-53 The Coronation of the Virgin is a common subject in art but the contract for this work specifies the unusual representation of the Father and Son of the Holy Trinity as identical figures (very rare in the 15th century, though there are other examples ), but allows Quarton to represent the Virgin as he chooses.
Coronation of the Virgin is a 1603–1605 work by El Greco, one of a group of five paintings painted for the high altarpiece of the Santuario de Nuestra Señora de la Caridad in Illescas, Toledo. It and three of the other paintings still hang in the church ( Charity , Nativity and Annunciation ), whilst the fifth is now in the National Museum ...
The Oddi Altarpiece, or more correctly the degli Oddi altarpiece, is an altarpiece of the Coronation of the Virgin painted in 1502-1504 [1] by the Italian Renaissance master Raphael for the altar of the Oddi family chapel in the church of San Francesco al Prato in Perugia, Italy, now in the Vatican Pinacoteca.
Coronation of the Virgin (1609–1611) by Rubens. Coronation of the Virgin is a 1609-1611 oil sketch by Peter Paul Rubens, produced as a proposal for a side-chapel in Antwerp Cathedral but rejected in March 1611 and never realised as a full work, instead being reworked later for the same chapel as Assumption of the Virgin.