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During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
Shiki is regarded as a major figure in the development of modern haiku poetry, [3] credited with writing nearly 20,000 stanzas during his short life. [4] He also wrote on reform of tanka poetry. [5] Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. [6] [7]
In the United Kingdom, the first known English-language anthology was the Starving sparrow temple anthology: haiku, tanka, linked verse and other pieces edited by William E. Watt, 1971, but this publication was not exclusively tanka. By 1969, tanka started appearing in anthologies of student work published by public schools in the United States.
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It soon became the leading forum for Shiki's Nippon school of haiku. The following year, the magazine's headquarters moved to Tokyo, and its editorship was taken over by Takahama Kyoshi . [ 3 ] At the same time, the magazine's scope was expanded to include tanka and haibun as well as haiku, and Shiki began publishing essays in his shaseibun ...