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The traditional number of asanas is the symbolic 84, but different texts identify different selections, sometimes listing their names without describing them. [3] [a] Some names have been given to different asanas over the centuries, and some asanas have been known by a variety of names, making tracing and the assignment of dates difficult. [5]
The central figure in the Pashupati seal from the Indus Valley civilization of c. 2500 BC was identified by Sir John Marshall in 1931 as a prototype of the god Shiva, recognised by being three-faced; in a yoga position as the Mahayogin, the god of yoga; having four animals as Pashupati, the Lord of Beasts; with deer beneath the throne, as in ...
The text is named after Jnana (knowledge) aspect of the Hindu god Shiva, as Dakshinamurti which means giver of knowledge. [2] He is traditionally the expounder of the Shastras, represented as seating under a Banyan tree in the Himalayas resplendent with energy and bliss, surrounded and revered by sages, in a yoga pose (virasana), holding the fire of knowledge in one hand and a book or snake or ...
Natarajasana, Lord of the Dance Pose. Natarajasana (Sanskrit: नटराजासन, romanized: Naṭarājāsana), Lord of the Dance Pose [1] or Dancer Pose [2] is a standing, balancing, back-bending asana in modern yoga as exercise. [1]
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 51 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Yogeshvara (Sanskrit: योगेश्वर, romanized: Yogeśvara, lit. 'Lord of Yoga') is a Sanskrit epithet employed in Hinduism. [1] The term Yogeshvara is a portmanteau of yoga and ishvara, meaning 'Lord of Yoga', 'Lord of Yogis', or 'God of Yoga'.
Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
Durvasasana is an advanced standing balancing pose with one leg behind the neck; [9] the hands are held together over the chest in prayer position. [10] As well as rating the pose of difficulty level 21 (out of 60), B. K. S. Iyengar states that it is difficult to balance in the pose, and recommends using a support to begin with. [2]
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