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A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
The waistcoat may be made from either the same fabric as the dinner jacket, as is traditional, or the same silk as the jacket's lapels, which is more popular. When a waistcoat has lapels, they are faced in the same silk as those of the jacket; in this case it is considered more refined if the body is made from the same fabric as the jacket.
Morning dress consists of: a morning coat (the morning cut of tailcoat), now always single breasted with link closure (as on some dinner jackets) or one button (or very rarely two) and with pointed lapels, may include silk piping on the edges of the coat and lapels (and cuffs on older models with turnup coat sleeves).
His coat and shawl-collared vest or waistcoat have covered buttons. Note functional buttonholes all the way up his coat lapel. Three-piece suit with frock coat, 1870s. Oliver Hazard Perry Morton wears a narrow string tie, 1870s. Gentleman in a railway carriage wears a dust-colored coat, trousers, and collar-less waistcoat with a dark red ...
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