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A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
The waistcoat may be made from either the same fabric as the dinner jacket, as is traditional, or the same silk as the jacket's lapels, which is more popular. When a waistcoat has lapels, they are faced in the same silk as those of the jacket; in this case it is considered more refined if the body is made from the same fabric as the jacket.
Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
Popular varieties today include the full Norfolk jacket, which features three or four buttons in a single-breasted layout, with pleats and a full belt; and the half Norfolk jacket which is less pleated and has only a half belt. Both these types have a notched lapel and a patch pocket. The Norfolk suit is an attire in which a Norfolk jacket is ...
Waistcoats may be either single-breasted, with or without lapels, or double-breasted with lapels. [1] Single-breasted models with lapels usually feature a step collar and are worn with the bottom button undone, whilst double-breasted models commonly have either a shawl collar or a peak lapel and are worn fully buttoned. [1]
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