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Urushibara Mokuchu (漆原木虫) (1888–1953), given name Yoshijirō, was a Japanese print maker known for his many black-and-white prints of horses. He lived in Europe for many years, and exhibited in the United States after World War II.
Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings.
Rivera achieved the varied tones within the print by shading and crosshatching with lithographic crayon. Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the ...
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
In modern usage in British English, skewbald and piebald (black and white) horses are collectively referred to as coloured, while in North American English, the term pinto is used to describe the colour pattern. The colour of the horse's skin underneath its coat alternates between dark or pink, depending on the dark or white overlying hair colour.
Sam Savitt (March 22, 1917 – December 25, 2000) was an equine artist, author, and teacher, as well as an illustrator of over 130 books, in addition to 16 that he wrote. He was designated the official illustrator of the United States Equestrian Team, and was a founding member of the American Academy of Equine Art. [1]
Horse Attacked by a Lion (1768-69), oil on panel, 25.7 x 29.5 cm., Yale Center for British Art. Stubbs began an informal series of works on the subject of a lion attacking a horse around 1762 or 1763, and he continued to explore and reinterpret the theme in at least 17 images over a period of about 30 years.
Amos Bad Heart Bull, also known as Waŋblí Wapȟáha (Eagle Bonnet; c. 1868–1913), was a noted Oglala Lakota artist in what is called Ledger Art.It is a style that adapts traditional Native American pictography to the new European medium of paper, and named for the accountants' ledger books, available from traders, used by the artists for their drawings and paintings.