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Pun or paronomasia - A form of word play that exploits multiple meanings of a term, or of similar-sounding words. Antanaclasis – The stylistic trope of repeating a single word, but with a different meaning each time; antanaclasis is a common type of pun, and like other kinds of pun, it is often found in slogans.
Trope denotes figurative and metaphorical language and one which has been used in various technical senses. The term trope derives from the Greek τρόπος (tropos), "a turn, a change", [1] related to the root of the verb τρέπειν (trepein), "to turn, to direct, to alter, to change"; [2] this means that the term is used metaphorically to denote, among other things, metaphorical language.
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
The use of a MacGuffin as a plot device predates the name MacGuffin. The Holy Grail of Arthurian legend has been cited as an early example of a MacGuffin. The Holy Grail is the desired object that is essential to initiate and advance the plot, but the final disposition of the Grail is never revealed, suggesting that the object is not of significance in itself. [8]
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
This trope was particularly prevalent in fictional works produced in the 18th century. Its implementation has been discussed as a way to explore the various social constraints placed on the authors and their own realities. [1] The masquerade trope is also often pointed to as a way of expressing or commenting on different forms of femininity. [4]
A trope or tropus may refer to a variety of different concepts in medieval, 20th-, and 21st-century music. The term trope derives from the Greek τρόπος (tropos), "a turn, a change", [1] related to the root of the verb τρέπειν (trepein), "to turn, to direct, to alter, to change". [2] The Latinised form of the word is tropus.