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Among some Italians, these patterns are known as "Greek Lines". Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations; this decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it.
The composition of the Delos mosaics and pavements include simple pebble constructions, chip-pavement made of white marble, ceramic fragments, and pieces of tesserae. [2] [6] [13] The latter falls into two categories: the simpler, tessellated opus tessellatum using large pieces of tesserae, on average eight by eight millimeters, [14] and the finer opus vermiculatum using pieces of tesserae ...
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
In addition, extant examples of early medieval Insular art, such as stone decorations and illuminated manuscripts, as well as Japanese, Chinese, and Islamic decorative arts from different periods, feature key patterns. [3] [4] [9] [10] Celtic mazes, Greek frets, and xicalcoliuhquis are examples of well-known designs that are considered to be ...
As Gisela Richter puts it, the forms of these vases (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort) find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact ...
Greek cities in Italy such as Syracuse began to put the heads of real people on coins in the 4th century BC, as did the Hellenistic successors of Alexander the Great in Egypt, Syria and elsewhere. [98] On the reverse of their coins the Greek cities often put a symbol of the city: an owl for Athens, a dolphin for Syracuse and so on.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Their dimensions vary from small statues to giants such as the kouroi of Delos and Samos, and the unfinished colossi of Naxos, the largest of which reach nearly 10 m. Their usual size, however, is the human size or a little smaller. [31] They served various functions, such as cult statues, ex-votos, monuments celebrating athletes, and funeral ...