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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
Chopin, Nocturne in B major, Op. 62, No. 1 Secondary theme. The Nocturne in B major opens with two introductory chords. After a pause, a melody in B major emerges. At first, the action proceeds gently and smoothly (dolce, legato). The piece soon turns into declamation, led by a voice in the upper register, and after a rapid scale in the right ...
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field. [2] [3] Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's ...
The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...
The middle section contains a number of quotations from Chopin's second piano concerto in F minor which was composed around the same time (1829). It begins with two bars (21 and 22) quoting the main theme from the third movement. The next two bars (23 and 24) quote the second part of the secondary theme of the first movement. The passage in 3
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