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For direct-burning incense, pieces of the incense are burned by placing them directly on top of a heat source or on a hot metal plate in a censer or thurible. [ 3 ] Indirect-burning incense, also called "non-combustible incense", [ 4 ] is a combination of aromatic ingredients that are not prepared in any particular way or encouraged into any ...
Insert—The fireplace insert is a device inserted into an existing masonry or prefabricated wood fireplace. [23] Jamb—The side of a fireplace opening. [22] Mantel—Either the shelf above a fireplace or the structure to support masonry above a fireplace [24] Smoke shelf—A shelf below the smoke chamber and behind the damper.
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace , and can include elaborate designs extending to the ceiling.
The other common type of hieroglyph for the burning of incense, is the incense burner: arm (hieroglyph). In later periods of Ancient Egypt it was often made of bronze. In portrayed scenes with the arm, the offerer, most often the pharaoh offering to the god, is shown adding incense pellets from a small storage box at the base of the arm.
A Franklin stove. The Franklin stove is a metal-lined fireplace named after Benjamin Franklin, who invented it in 1742. [1] It had a hollow baffle near the rear (to transfer more heat from the fire to a room's air) and relied on an "inverted siphon" to draw the fire's hot fumes around the baffle. [2]
Two servers swing thuribles towards the congregation during a funeral. The Roman Missal, as revised in 1969, allows the use of incense at any Mass: in the entrance procession; at the beginning of Mass to incense the cross and the altar; at the Gospel procession and proclamation; after the bread and the chalice have been placed upon the altar, to incense the offerings, the cross, and the altar ...
Kōdō includes all aspects of the incense process, from the tools (香道具, kōdōgu), to activities such as the incense-comparing games kumikō (組香) and genjikō (源氏香). [1] Kōdō is counted as one of the three classical Japanese arts of refinement, along with ikebana for flower arrangement, and chadō for tea and the tea ceremony.
Fragrant scent played an important role at court during the Heian period (image from The Tale of Genji by Tosa Mitsuoki, 1617–91.). Nihon Shoki, a book of classical Japanese history, gives the first formal record of incense in Japan when a log of agarwood, a fragrant wood used in incense burning, drifted ashore on Awaji Island during the Asuka period in 595 CE, and was presented to Prince ...
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