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She described those elements as "main elements of Azerbaijani female dance", [22] while pointing out that "syzme" is an "integral part of Armenian dance". [23] Tkachenko also noted that in Armenia, the lyrical dance of the bride was performed after the solemn dances of the matchmaker, parents, and groom, to the melodies of "Uzundara", "Nunufar ...
The place of origin for the dance Uzundara is often believed to be Nagorno-Karabakh (also known as Artsakh). [28] In the collection "Azerbaijani folk dances" it is suggested that the Uzundara dance spread among the Karabakh Armenians as a result of living in close proximity to the Azerbaijanis. [29]
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
Shalakho (Շալախօ) - A dance for men from Ancient Armenia. It is performed in dance studios by men, but danced at public gatherings by women as well. Tamzara (Թամզարա) - A dance originating in the Armenian Highlands. Yarkhushta (Յարխուշտա) - Yarkhushta is a martial dance from the Taron and Aghdznik regions of Western Armenia.
It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List of dance style categories; List of ethnic, regional, and folk dances by origin
Early history of the Shalakho dance is associated with entertainers and clowns which would travel from villages to villages in the Caucasus (some of which were mainly staying in Tbilisi) and perform this dance to the accompaniment of duduk and barrel organ. [12] Additionally, they would bring animals for the performances, e.g. bears or monkeys.
This dance was first staged by famous Azerbaijani composer Uzeyir Hajibeyov in his second operetta O olmasın, bu olsun (1911). The creator and first performer of this dance was famous accordionist Teyyub Damirov. This dance was first processed and pitched in 1937 by Said Rustamov. Ganjlik (Gənclik or Bəy) is a male dance.
The dance is danced by both men and women and is intended to be intimidating. More modern forms of Kochari have added a "tremolo step", which involves shaking the whole body. It spread to the eastern part of Armenia after the Armenian genocide .