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Lyrical dance is competition dance style and is only used to describe a specific style of dance in the world of competitive dance. “Lyrical” is used to describe a quality or movement type in other dance settings, but not as a style name such as Jazz or Ballet. There has only been one instance of lyrical being used in a professional setting.
Sheedi dance: the Sheedi community of Sindh have their own traditional dances and music, there are different styles of dances and music, for example one in performed in a group by men dressed in their attire made of peacock feathers and face markings, in which they also perform different stunts like spitting fire from mouth etc, other style is ...
The word "Tamasha" is a loanword from Persian, which in turn loaned it from Arabic, meaning a show or theatrical entertainment of some kind. [2] The word has spread to Armenian, Hindi, Urdu and Marathi, to mean "fun" or "play". In Armenian language "To do Tamasha" means "To follow an interesting process or entertainment".
Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Thumri (Hindi: [ˈʈʰʊmɾiː]) is a vocal genre or style of Indian music. [1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle."
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
Theatre in Pakistan has been developed and influenced by the traditional and ritual Persian theatre as well as the classical Indian dance practices of the Mughal Empire.As an Islamic state, the production of plays and theatrical performances in the past was not condoned in the country for religious reasons that is why this performing art did not have the opportunity to develop and flourish.