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However, a market for genuine, traditional baskets opened the 1880s and lasted until the 1930s. [9] William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, William adapted his skill to the fine work done by women. [9]
Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
Gavin Newsom apologizes to California tribes, including the Kashia Band of Pomo Indians in 2019. Kashia representatives are interviewed in the video. Essie Parrish (1902–1979) was an important Kashia Band basket weaver and a spiritual leader of the Kashia Tribe, she strove to sustain Pomo traditions throughout the 20th century. The current ...
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
Susan Santiago Billy (born Andrea Susan Santiago; October 5, 1884 – November 20, 1968) was a Native American Pomo basket weaver from the Hopland Band Pomo Indians of California in Northern California. Her parents were Silva Santiago and Tudy Marie Arnold. [1] In 1900, she married Cruz Billy, a leader at the Hopland Rancheria. [1]
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Mary Knight Benson (1877–1930) was a Pomo woman from California who excelled in basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson (Eastern Pomo, 1862–1937), partnered in basket weaving, and their work is in public museum collections.