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The Other is a 1972 American horror [4] psychological thriller film, much in the vein of Stephen King and The Twilight Zone, directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name.
In 1977 a book with portraits was released called 'Emergence' by photographer Cynthia MacAdams which captured women embracing feminism by shedding cultural restrictions. [7] [8] The documentary revisits those photos and those women, and contains interviews with women such as Jane Fonda, Lily Tomlin and Judy Chicago, and at the same time tackling topics such as identity, abortion, race ...
But at the same time it didn't feel forced or fake like so many modern "feminist" movies/recasts and I think Ripley really is the perfect example of a strong female lead. Image credits ...
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"Women's Cinema as Counter-Cinema" (1973) in: Claire Johnston (ed.), Notes on Women's Cinema, London: Society for Education in Film and Television, reprinted in: Sue Thornham (ed.), Feminist Film Theory. A Reader, Edinburgh University Press 1999, pp. 31–40 "Feminist Politics and Film History", Screen 16, 3, pp. 115–125