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The differences between a Baroque violin and a modern instrument include the size and nature of the neck, fingerboard, bridge, bass bar, and tailpiece. Baroque violins are almost always fitted with gut strings, as opposed to the more common metal and synthetic strings on a modern instrument, and played with a bow made on the baroque model ...
The size of these is described by a "conventional" fraction that has no mathematical significance. For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but ...
Bows for Musical Instruments of the Violin Family is a seminal luthier reference book compiled by the late Chicago violinist Joseph Madison Roda (1894–1970) [1] and published in 1959 by William Lewis and Son of Chicago. The book is about bows and bow makers and includes detailed illustrations prepared by Gladys Mickel Bell (1901–1992). [2]
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
A 3/4 violin is 335 mm (13.2 in), and a 1/2 size is 310 mm (12 in). Rarely, one finds a size referred to as 7/8 which is approximately 340 mm (13.5 in), sometimes called a "ladies' fiddle." Viola size is specified as body length rather than fractional sizes. A 'full-size' viola averages 400 mm (16 in), but may range as long as 450 or 500 mm (18 ...
A Stradivari bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
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