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Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
This is an accepted version of this page This is the latest accepted revision, reviewed on 5 January 2025. Attitude, behavior, appearance, or style which is generally admired "Coolness" redirects here. For the reciprocal of temperature, see thermodynamic beta. Look up cool in Wiktionary, the free dictionary. Coolness, or being cool, is the aesthetic quality of something (such as attitude ...
Download as PDF; Printable version; From Wikipedia, the free encyclopedia. Redirect page. Redirect to: Cool (aesthetic) Retrieved from "https: ...
Swing, swing dance and swing jazz, a genre of popular dance music, and a quality of emotionally and culturally genuine music in the African American community [9] Tezeta , an Ethiopian musical term, evocative of melancholy, nostalgia and bittersweet longing, being originally a traditional song, then a genre, a musical mode and a marker of ...
Basic Concepts in Music Education is a landmark work published in the USA 1958 as the Fifty-Seventh Yearbook of the National Society for the Study of Education. In 1954, the Music Educators National Conference ( MENC ) had formed its Commission on Basic Concepts in an attempt to seek a more soundly-based philosophical foundation.
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
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Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...