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In the concerto BWV 1044, Bach reworked both the prelude and fugue around the harpsichord part by adding ripieno ritornello sections. [62] In the first movement there is an eight bar ritornello that begins with the opening semiquaver motif of the prelude, which is then heard in augmented form before breaking into distinctive triplet figures:
Herman Krebbers, Willem van Otterloo and Theo Olof [nl; fr] before the Concertgebouw Orchestra (1958): in 1952 they had recorded Bach's Double Concerto. [10]Around 1736–1737 Bach arranged the concerto for two harpsichords, transposed into C minor, BWV 1062.
In his preface to the 1990 second edition of the Bach-Werke-Verzeichnis (BWV), Wolfgang Schmieder proposed to add a capital "R" to a BWV number to indicate a reconstructed version of a composition that is only extant in a later version, hence a reconstruction of a conjectured earlier version of the BWV 1060 concerto can be indicated as BWV 1060R.
BWV 525a (or: BWV deest) – Concerto (or: Trio Sonata) in C major for violin, cello and continuo (variant of BWV 525/1, 1032/2 and 525/3) Orchestral concertos: BWV Anh. 22 – Concerto for Oboe and Violin in B-flat major BWV Anh. 155 – Concerto in A major for keyboard, strings and continuo by Wenzel Raimund Birck [16]
BWV 1046.1, formerly BWV 1046a, originally BWV 1071 – Sinfonia in F major (early version of Brandenburg Concerto No. 1) [9] BWV 1046.2 , formerly BWV 1046 – Brandenburg Concerto No. 1 in F major for violino piccolo , three oboes , bassoon , two corni da caccia , strings and continuo [ 10 ]
No. 3, the first piece after the two seven-movement Partitas, is a Minuet in F major by an unknown composer (likely not Bach), adopted as No. 113 in the second annex (German: Anhang, Anh.), that is the annex of doubtful compositions, in the Bach-Werke-Verzeichnis (BWV). Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the ...
Tod Maitland, the movie's sound mixer, told Variety that the biggest musical challenge for Chalamet was varying his vocal stylings to match Dylan's during specific performances.
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
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