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These methods are not only used for Tazouaqt, but they are used to draw geometric patterns for all other traditional arts: carved wood, plaster, stone or marble, chiseled or engraved metal, zellige, etc. [4] [5] Depending on the surface to be painted, the type of geometric pattern has a coefficient. It is determined by a calculation specific to ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Example of a cradled panel, mounted on the back of a painting by Aert van der Neer Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .
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In England, a painter Leonard Fryer made an equivalent use of "sweet varnish" to enhance imitation wood graining at Oatlands Palace. [7] The designs seem to have been painted freehand, excepting only motifs on ceiling boards at Riddle's Court which seemed to have been traced, perhaps by "pouncing" patterns. [8]
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
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