Search results
Results from the WOW.Com Content Network
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Dies irae itself is a Latin poem or hymn which prays mercy at the dawn of apocalypse. The poem was originally written by Thomas of Celano, an Italian friar of the Franciscans, who lived in 13th century and was an obligatory part of
The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.
Thomas was born sometime between 1185 and 1190, into the noble family of the Conti dei Marsi at Celano in the Province of the Abruzzi. He received a sound liberal arts education, possibly at the Benedictine monastery of Saint John the Baptist near Celano.
It should only contain pages that are Dies Irae (band) albums or lists of Dies Irae (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Dies Irae (band) albums in general should be placed in relevant topic categories .
Sequentia cyclica super "Dies irae" ex Missa pro defunctis, commonly known as Sequentia cyclica, is a piano composition by Kaikhosru Shapurji Sorabji. Written between 1948 and 1949, it is a set of 27 variations on the medieval sequence Dies irae and is widely considered one of Sorabji's greatest works.
Other well-known sequences include the ninth-century Swan Sequence, Tommaso da Celano's Dies Irae, St. Thomas Aquinas' Pange lingua in praise of the Eucharist, the anonymous medieval hymn Ave maris stella ("Hail, star of the sea!"), and the Marian sequence Stabat Mater by Jacopone da Todi.
The pages are ruled with eight five-line staves in red, and the music is written in full (black) mensural notation, with only occasional use of void ("white") notes and red colouration. [6] It is carelessly written in one principal and several other scribal hands; the musical text is corrupted in many places by a later hand, which altered the ...