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Bishop Petros with Saint Peter the Apostle (Polish: Biskup Petros ze świętym Piotrem Apostołem) is a Nubian Christian wall painting from the last quarter of the 10th century. [ 1 ] [ 2 ] Made with tempera on silt plaster using an al secco fresco technique, it depicts Petros, the bishop of Faras between 974 and 997.
The murals from the Christian temple at Qocho (German: Wandbilder aus einem christlichen Tempel, Chotscho) are three Church of the East mural fragments—Palm Sunday, Repentance and Entry into Jerusalem—discovered by the German Turpan expedition team, which was led by two German archaeologists Albert Grünwedel and Albert von Le Coq, in the early 20th century.
In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with ...
Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. In the 4th century, the Edict of Milan allowed public Christian worship and led to the development of a monumental Christian art. Christians were able to build edifices for worship larger and more handsome than the furtive meeting places they had been using.
See also Category:Christian symbols For representations of Christianity in mainstream popular culture, see Category:Christianity in popular culture Wikimedia Commons has media related to Christian art .
Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]