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Carlo Saraceni, Caravaggisti whose religious art includes an altarpiece in the Roman church of San Lorenzo in Lucina [523] [524] Andrea del Sarto, work includes paintings for the Santissima Annunziata, Florence [525] [526] Sassetta, like much of the Sienese School, he did religious art, including the Mystic Marriage of St. Francis [527] [528]
Bishop Petros with Saint Peter the Apostle (Polish: Biskup Petros ze świętym Piotrem Apostołem) is a Nubian Christian wall painting from the last quarter of the 10th century. [ 1 ] [ 2 ] Made with tempera on silt plaster using an al secco fresco technique, it depicts Petros, the bishop of Faras between 974 and 997.
The Last Judgment was a traditional subject for large church frescos, but it was unusual to place it at the east end, over the altar. The traditional position was on the west wall, over the main doors at the back of a church, so that the congregation took this reminder of their options away with them on leaving.
In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with ...
Religious art is a visual representation of religious ideologies and their relationship ... Wall painting from the early ... the lotus flower, extra limbs, ...
Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. In the 4th century, the Edict of Milan allowed public Christian worship and led to the development of a monumental Christian art. Christians were able to build edifices for worship larger and more handsome than the furtive meeting places they had been using.
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