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A daytime drama entitled Return to Peyton Place aired on NBC from April 3, 1972, to January 4, 1974, but the soap opera was a continuation of the primetime television series Peyton Place rather than an adaptation of the book.
Return to Peyton Place is a 1961 American drama film in color by De Luxe and CinemaScope, produced by Jerry Wald, directed by José Ferrer, and starring Carol Lynley, Tuesday Weld, Jeff Chandler, Eleanor Parker, Mary Astor, and Robert Sterling. The screenplay by Ronald Alexander is based on the 1959 novel Return to Peyton Place by Grace Metalious.
Peyton Place is a 1956 novel by the American author Grace Metalious.Set in New England in the time periods before and after World War II, the novel tells the story of three women who are forced to come to terms with their identity, both as women and as sexual beings, in a small, conservative, gossipy town.
So, in the sequel, Return to Peyton Place, Selena lived her life as a single woman; continued to work at the Thrifty Corner (she was the store's manager), and did her best to singlehandedly take care of Joey. (Ted had married a snobby blueblood named Jennifer Burbank who eventually killed her mother in-law)
Gwendy’s Button Box is a belated return to Castle Rock, the fictional Maine town that we shall visit many times in the following entries. It also features a villain with the initials R.F. It ...
Dorothy Malone as Constance MacKenzie. Constance MacKenzie (née Standish) is a fictional character in the 1956 novel Peyton Place by Grace Metalious.In the subsequent film adaptation, she was played by Lana Turner; in the sequel Return to Peyton Place, by Eleanor Parker; in the primetime television series, by Dorothy Malone (and briefly by Lola Albright); and in the daytime soap opera Return ...
Barbara Rush, who won a Golden Globe for most promising newcomer in “It Came From Outer Space” and went on to appear in “Peyton Place” and many other movies and TV shows, died Sunday. Her ...
Once you factor in how many books appear on the typical set of shelves—and the back-and-forth necessary to clear the rights, compounded by the tight turnarounds of TV shows—it becomes a whole ...
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