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The rest of 19th-century Spanish art followed European trends, generally at a conservative pace, until the Catalan movement of Modernisme, which initially was more a form of Art Nouveau. Picasso dominates Spanish Modernism in the usual English sense, but Juan Gris, Salvador Dalí and Joan Miró are other leading figures.
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Picasso, who rarely allowed strangers into his studio to watch him work, admitted influential visitors to observe his progress on Guernica, believing that the publicity would help the antifascist cause. [1] As his work on the mural progressed, Picasso explained: "The Spanish struggle is the fight of reaction against the people, against freedom.
The Huejotzingo Codex depicts the making of a feather and gold banner, the first indication of feather work with Christian images. [41] At first, feather work was suppressed by the Spanish as part of their efforts to eradicate the old religion. However, they soon changed tactics and employed the feather workers to create Christian images.
The writing of this supposed generation can be roughly divided into three moments. In their early years their work arises still out of mostly local and national traditions, culminating in their united celebration of the tri-centennial of the death of Golden Age poet Luis de Góngora. From mid decade until the arrival of Spain's Second Republic ...
Mexican literature stands as one of the most prolific and influential within Spanish-language literary traditions, alongside those of Spain and Argentina. This rich and diverse tradition spans centuries, encompassing a wide array of genres, themes, and voices that reflect the complexities of Mexican society and culture.
Another great figure in colonial era poetry is the Mexican nun Sor Juana Ines de la Cruz, who wrote many notable works of poetry, prose, and theater in Spanish and other native languages. In her work, she took many feminist standpoints and echoed the beliefs of the Enlightenment ideals emerging in Europe. [6]
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