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The poem is one of Clare's most famous protestation poems. Swordy Well in Marholm, now Swaddywell, is an area of scientific interest. The Langdyke Countryside Trust established Swaddywell Pit nature reserve in 2003. [1] Poet Paul Farley celebrated Clare's work through this poem on BBC Radio 4 in 2008. [2]
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
The poem itself was written later: he began making notes for it the following January, and created several versions of the poem before it was ready for publication. [2] [3] Since then, the poem has become a symbolic turning point in Thomas's literary career, and is used as such in the title of Jean Moorcroft Wilson's 2015 biography of the poet. [4]
In contrast to Tennyson's other poems, including "The Lady of Shalott", there is no movement within "Mariana". There is also a lack of a true ending within the poem, unlike the later version Mariana in the South, which reworks the poem so there is a stronger conclusion that can be found within death. [12]
The pattern for the number of stresses in this poem is 3-3-4-4-4-3. Flow-er in the cran-nied wall, I pluck you out of the cran-nies, I hold you here, root and all, in my hand, Little flow-er—but if I could un-der-stand. What you are, root and all, and all in all, I should know what God and man is. The poem also follows an ABCCAB rhyme scheme.
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"Tamerlane" is the Latinized name of a 14th-century historical figure.. The main themes of "Tamerlane" are independence and pride [3] as well as loss and exile. [4] Poe may have written the poem based on his own loss of his early love, Sarah Elmira Royster, [5] his birth mother Eliza Poe, or his foster-mother Frances Allan. [4]
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