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This list of sound designers consists of notable sound designers for film, television, and theatre. Sound designers. Ben Burtt;
The Tony Awards for Best Sound Design of a Play and Best Sound Design of a Musical recognize excellence in sound design for Broadway theatre. They were first given in the 2007–2008 season. [ 1 ] In 2014, the Tony Awards Administration Committee announced that starting with the 2014–2015 season the Tony Awards for Best Sound Design of a Play ...
Theatre portal This category is for articles about people who have done sound design for Broadway theatre productions in Manhattan , New York City , New York , United States. Pages in category "Broadway sound designers"
Dan Dugan, working with three stereo tape decks routed to ten loudspeaker zones [14] during the 1968–69 season of American Conservatory Theater (ACT) in San Francisco, was the first person to be called a sound designer. [15] A theatre sound designer is responsible for everything the audience hears in the performance space, including music ...
Abe John Jacob (born October 7, 1944) is an American sound designer and audio engineer.Called the "Godfather of Sound", [1] [2] Jacob greatly influenced the design of sound reinforcement in modern musical theatre, and was one of the first persons credited in the role of sound designer on Broadway, [3] [4] with a sound designer credit in Playbill in 1971.
Pro Sound Award for Best Theatre Sound [81] Won 2015 Hunchback of Notre Dame: BroadwayWorld Award for Best Sound Design Nominated 2014 Merrily We Roll Along: Olivier Award for Best Sound Design: Won 2013 Top Hat: Olivier Award for Best Sound Design: Nominated 2014 I Can't Sing! Pro Sound Award for Best Theatre Sound Won 2012 End of the Rainbow
Richard Kenneth Thomas (aka Zounds, Zounds Productions) is an early practitioner/advocate for theatre sound and composition for live theatre. He began his career at his recording studio, Zounds Productions, which he founded and co-owned with Brad Garton in the late 1970s and early 1980s.
Dugan's complex and atmospheric theatrical soundscapes led to a new title: during ACT's 1968–69 season, he was the first regional theatre person to be called a "sound designer". [4] [5] He presented a paper about his sound design to the Audio Engineering Society (AES) at their 37th convention, and his paper was published in the Journal of the ...