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The concept of music and sleep, although applicable to the general population, needs to take into account these differences to tailor each individual's taste. By customizing music choices, the overall effectiveness of music in improving sleep can be maximized, contributing to a better life quality for people. [33]
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm.Often "peaceful" sounding and lacking composition, beat, and/or structured melody, [5] ambient music uses textural layers of sound that can reward both passive and active listening, [6] and encourage a sense of calm or contemplation.
A restored pneumatic player piano Steinway reproducing piano from 1920. Harold Bauer playing Saint-Saëns' Piano Concerto No. 2 in G minor, Op. 22, excerpt of 3rd movement. Duo-Art recording 5973-4. A player piano is a self-playing piano with a pneumatic or electromechanical mechanism that operates the piano action using perforated paper or ...
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
Les Sylphides (French: [le silfid]) is a short, non-narrative ballet blanc to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov.. The ballet, described as a "romantic reverie", [1] [2] is frequently cited as the first ballet to be simply about mood and dance. [1]
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Lennon wrote "How Do You Sleep?" in the aftermath of Paul McCartney's successful lawsuit in the London High Court to dissolve the Beatles as a legal partnership. [1] This ruling was caused by the publication of Lennon's remarks about the Beatles in a December 1970 interview with Rolling Stone magazine, and McCartney and his wife taking full-page advertisements in the music press, in which, as ...
The piano, in turn, has become louder, richer, even mushier in sound, and, above all, less wiry and metallic. This change makes nonsense out of all those passages in eighteenth-century music where the violin and the piano play the same melody in thirds, with the violin below the piano. Both the piano and the violin are now louder, but the piano ...