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The recitation of the Kaal Bhairav Ashtakam brings mental stability and fills one with a unique form of positive energy. It is believed that this stotram promotes both mental and spiritual growth. Those who recite it with devotion are blessed with freedom from fear and protection from obstacles of all kinds. (Source: "Shiva Purana" - Gita Press)
Vaidyanath Jyotirlinga, also known as Baidyanath, Vaijnath and Baijnath is one of the twelve Jyotirlingas, the most sacred abodes of Shiva.However, the location of the Jyotirlinga is contested as the Government of India hasn't notified one of these temples as the Jyotirlinga.
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [ 1 ] [ 2 ] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited.
The authorship of the Mahishasura Mardini Stotra is attributed to the theologian Adi Shankara. This hymn is mentioned in the 53rd chapter of the 1st portion of the text Shivarahasya Purana . [ 5 ] The hymn is based on the text Devi Mahatmya , [ 6 ] referencing a number of legends of the goddess Durga such as slaying Mahishasura, Raktabija , as ...
Gantakarana Mantra Stotra is a Sanskrit text associated with him which has 71 verses and is used as a mantra as well as hymn. It was composed in later half of the 16th century by a little known Jain monk Vimalachandra who was a disciple of Sakalachandra, a disciple of Tapa Gaccha monk Hiravijaya Suri .
Ghurye notes that the text identifying Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
Name Description Tattvasaṁkhyāna Tippani Summary of Tattvasaṁkhyā of Jayatirtha: Namaka Chamaka Vyakhyana Gloss on Namaka Chamaka Shreemadbhagavata Tippani
Uvasaggaharam Stotra is a Jain religious hymn in adoration of the twenty-third tirthankara Parshvanatha. It was composed by Bhadrabahu who lived in around 2nd–3rd century BC. [1] It is a hymn that is believed in and recited by the followers of the Śvetāmbara sect and is one of the Navsmaran (or 9 sacred hymns) of its Murtipujaka sub-sect. [2]