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In philosophy and specifically metaphysics, the theory of Forms, theory of Ideas, [1] [2] [3] Platonic idealism, or Platonic realism is a theory widely credited to the Classical Greek philosopher Plato. The theory suggests that the physical world is not as real or true as "Forms".
A form is a product of the designer's creativity. An architect's intuition suggests a new form that eventually blossoms, this explains similarities between the buildings with disparate functions built by the same architect; A form is dictated by the prevailing set of attitudes shared by the society, the Zeitgeist ("Spirit of Age"). While ...
Aristotle applies his theory of hylomorphism to living things. He defines a soul as that which makes a living thing alive. [19] Life is a property of living things, just as knowledge and health are. [20] Therefore, a soul is a form—that is, a specifying principle or cause—of a living thing. [21]
Aristotle's doctrine of substantial form animating prime matter differs from Plato's theory of forms in several ways. Unlike substantial forms, Platonic forms or ideas exist as exemplars in the invisible world and are imposed by a supreme god (Demiurge in some translations of the Timaeus) upon chaotic matter. Physical things thus only ...
The central concept of Platonism, a distinction essential to the Theory of Forms, is the distinction between the reality which is perceptible but unintelligible, associated with the flux of Heraclitus and studied by the likes of science, and the reality which is imperceptible but intelligible, associated with the unchanging being of Parmenides ...
In Phaedo, Plato develops his theory of anamnesis, in part by combining it with his theory of forms. Firstly, he elaborates how anamnesis can be achieved: whereas in Meno , nothing more than Socrates' method of questioning is offered, in Phaedo , Plato presents a way of living that would enable one to overcome the misleading nature of the body ...
Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. [1] In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed ...
Form criticism as a method of biblical criticism classifies units of scripture by literary pattern and then attempts to trace each type to its period of oral transmission. [1] [failed verification] "Form criticism is the endeavor to get behind the written sources of the Bible to the period of oral tradition, and to isolate the oral forms that went into the written sources.