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Paul Muni (born Frederich Meshilem Meier Weisenfreund; September 22, 1895 [1] – August 25, 1967) was an American stage and film actor from Chicago.He started his acting career in the Yiddish theater and during the 1930s, he was considered one of the most prestigious actors at the Warner Bros. studio and was given the rare privilege of choosing his own parts.
After seeing Paul Muni on Broadway, talent agent Al Rosen suggested him for the lead role. Muni initially declined, feeling he was not physically suited for the role, but after reading the script, his wife, Bella, convinced him to take it. [36] After a test run in New York, Hughes, Hawks, and Hecht approved Muni for the role. [37]
Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat.
The Valiant is a 1929 American pre-Code drama film released by Fox Film Corporation in the Fox Movietone sound-on-film system on May 19, 1929. [1] It is produced and directed by William K. Howard (his first sound film) and stars Paul Muni (in his film debut), Marguerite Churchill (in her feature film debut), and John Mack Brown.
And that "The finale is stark in its realism." The review said, "Muni turns in a pip performance." Variety also included a "Miniature" and "The Woman's Angle" reviews. [13] [14] Frederick James Smith in Liberty in November 1932 gave the film the top score of 4 stars, "extraordinary". "Paul Muni is splendid as the chain-gang victim.
Because Wallis had decided to cast Paul Muni, then one of the studio's most prestigious contract players, as Juárez, MacKenzie was instructed to make the role the most dominant in the film. [1] His initial script was long enough for two films, and John Huston and Wolfgang Reinhardt were called in to help trim it.
The Life of Emile Zola is a 1937 American biographical film about the 19th-century French author Émile Zola starring Paul Muni and directed by William Dieterle. It premiered at the Los Angeles Carthay Circle Theatre to great critical and financial success. Contemporary reviews ranked it as the greatest biographical film made up to that time.
Paul Muni prepares to have his ankle shackles bent, via sledge hammer, by the prisoner, in the background in I Am a Fugitive from a Chain Gang (1932). Based on the autobiographical memoirs of Robert E. Burns , who was himself a fugitive at the time of the picture's release, the film was a powerful agent for social change.
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